Well well good evening to you. ah It's very nice to be back in Copenhagen after many years, in fact, since last night. It's very nice to have the lights back with us tonight and it's very nice to have Susan Watson Taylor's young nephews here too.

Well so far it's kinda been chugalug chugalug. We'll bring it down a bit. We understand, or we remember you guys were into the blues a lot here, and that's been virtually the background of ninety percent of the stuff we've ever put on record. This is one of the tracks. It's called Since I've Been Loving You.

This next one ah, the next one features John Paul Jones on keyboards. It's called No Quarter.

John Paul Jones piano. John Paul Jones. This next one's really a bit of a departure from set formula. John Paul plays his , saved for eleven years to by an instrument, play it one song. This is called Ten YEars Gone. Very shortly we shall be doing eleven years gone. You should have been here last night.

We got a new album coming out soon. Strange as it may seem, this is a track from it. It's called Hot Dog.

Here's a track from Houses of the Holy. It's called Rain Song.

This ah, next piece features Jimmy Page. It goes without any introductions. Jimmy Page.

Thank you. That was a thing called Kashmir.

Here's another track from Physical Grafitti, an album from a while ago. It's called Sick Again.

Thank you very much. Well last time we made a studio albumah, it was in Munich, in about 19 ah, 30, ah, 1975 called Presence, and this is the best track on it.

That was a, that was a track from the new album that comes out sometime in the next few years. That was called In The Evening. oh Thank you.

Well, it's been good fun. Thank you very much Copenhagen. Good night. HEre's one for Beowolf.

Alright. Alright. Thank you very much. Good night.