Well good evening Cinncinatti. I'd like to say just one thing before we carry on, so can you listen for a minute? Right, we'd like to apologize for being late. We had a bit of a problem getting out of Chicago, one. Second thing it, it's very difficult to play when you see crowds of people going whoosh whoosh. So could you just try and keep it cool? Stand still, OK? We don't want to see anybody get hurt so can you please do that? It's a deal.

As you, as you no doubt know, that was a blues based piece. This is also another thing which is based on a blues ah, sequence. It's from a few albums ago. A change of pace. It features Jonesy on piano. It goes like this.

John Paul Jones. We go through some of the albums from before to see if we can find things we didn't think we should have done, and what we're gonna do is try some thing that we're ah, just a little bit different in concept. The first one features John Paul Jones on twelve string acoustic guitar. It's about the first love that you've ever had. The one that you could never forget. Ten Years Gone.

Try to ah, vary the sort of vibe on stage. We'll do something that we haven't done for about six or seven years. We'll try a little acoustic stuff, OK? I guess this reflects the country where we just come from, England. It's a story of ah, hang on, I lost my voice in the monitors. It's a story that reflects an evening about six or seven hundred years ago.

Appreciated by the majority of people here is ah, you could cool it with the firecrackers, OK? As much as that song was reflective of England, well I guess this one's reflective of the United States.