Good evening. Good evening Chicago. Well, I think we're in such good spirits tonight.

Well as this is the, the capital of ah, of what's left of the electric blues, Chicago has been the home of the blues, we'll carry on with another thing that comes from ah, and has it's feet firmly based in the blues.

Good evening. Several of the songs we recorded ah, when ah, way back, remember when we recorded things like You Shook Me, and I Can't Quit You Babe, you remember them? Do you really remember that far back? Anyway, the guy who wrote those songs was a guy who lived in Chicago. I'm sure you're well aware of him, Willie Dixon, and he's responsible for writing so many amazing things, you just wouldn't believe it. All us English bands listen to him sing his songs and sing about you, and it's here all the time in Chicago. So we dedicate this next thing to Willie and his friends on teh southside, who write good music.

Jimmy Page guitar. Now we'd like to feature ah, a man who's very descrete by the ah, he, his approach to life in general. A man who once stayed at the Royal Orleans hotel. John Paul Jones, No Quarter.

John Paul Jones piano. John Paul Jones. Well we seem to be enjoying ourselves, I hope you are. One of the most classis lines ever, apart from haven't I seen you somewhere before, has been ah, well we firmly believe that if you can break up a program ah, and give some depth, different dimensions, and light and shade, and so on, then perhaps you'll remember us more, and come back next time. So our intention, our intention is to play a piece which features John Paul Jones on acoustic stringed guitar, and also plays foot bass pedals too, which you can call a one man band. It's a song about ah, you remember the school bus, or perhaps some of you still go on it, but you remember the back seat, where you take the one you love to back seat and promise her that for ever and ever you will be together. It never works that way, but you can try it in every town. This

is a song, this is a song about the forst one. Shhh, Shut up. It's called Ten Years Gone.

We're just a bunch of English guys who haven't got any songs to play. I listened to a radio station today ah, you know we had to finish off half way through the concert last night, insinuating that Mr. Page had been drinking alcoholic substances all day, and it's fair to say that Mr. Page, neither smokes, drinks or takes women or does anything like that, so we'd like an apology from the loop tomorrow, and another crate of the same alchohol please. Now this is a song that ah, I know we're so far away from our homeland, and Jimmy's even farther from his, inspired from the sweet smelling country side of Welsh Quarters. This is a song from the days when, when we all had flowers in our hair.

Always been and always will be. We'd like to ah.

When we kiss my heart's on fire, burning with a strange desire. John Paul Jones now stands up. John Paul Jones standing up.

I hope we didn't ah, take up too much of your time.

I got to tell you we're having such a great time ah, no don't do that. No, no, no , no. It must be something about you. It must be some sort of chemical thing or it could just be the hats we've been wearing. Ladies and gentlemen that's not right, our precussionist, the one and only, the man I call my brother. John Bonham Over the Top.

John Henry Bonham. John Bonham. John Bonham.

Chicago thank you very much, and good night. You've been fantastic. Well, thank you very much. No, no, no , no.

Thank you Chicago. You're too much. Good night.