Good evening. Good evening New York. For anybody who has managed to make the other concerts that we've been doing in between, what's going on with the P.A.?, in between the sort of suspended animation that we're been going through as well, you know that we're gonna try to cover a crossection of color, and material that we've been able to produce and write in seven years. This is includes some new stuff from Physical Grafitti, an LP which is ah, it's sooner or later, gonna come out. Another one of those things. This isn't so new. This is just reflections of a dream.

Thank you. It looks like it's gonna be a good one tonight, I think. We'll try to get by along with it. Perhaps it's in the same key. This is a new track from, from Physical Grafitti, and strangely enough, due to the state of our health. It's quite an apt title. It's called In My Time of Dying.

Thank you very much. That comes from rather more traditional roots than ah, most of the stuff that we write, which comes from other roots. That also reminds me of a guy who used to manage a band called Ten Years After, and every time it was time for them to go on stage in New York, he used to blow a whistle. Bad news, bad news. Anyway, this has got nothing to do with them. This is a song that came to us after a lot of travelling, and a lot of dusty towns around the orient, and a lot of dusty rooms around the dusty towns around the orient. We had a lot of experiences with people which drew us to the conclusion that The Song Remains the Same.

Thank you very much. A song of love. If I could just hunt for my ah, ah, if we could get the ushers to sit down, and be good boys, can you? It's very distracting, sorry love. Why don't you come sit up here? This next track is something off um, off Physical Grafitti, that you might not have heard yet. It's, I think, hazarding a guess, oh, if you've heard it twice, that's your luck. I think this is gonna be in time, become one of our favorites. I don't know about yours. It's about ah, would you believe, yet another journey? This is for the usher who's getting the chance of his life.

Thank you very much. I think that is , in time to come, quite a moody. That's one of the good ones. Another one of the good ones also features John Paul Jones, our resident bass player, keyboard player, and waiter, John Paul Jones. This is another song about a journey. This one is never to be completed. It's called No Quarter.

John Paul Jones piano. This ah, to keep this sort of living room attmosphere that we allways manage to get with you New York people. It's real, a very close, a very close thing. We'd like to let you in to a, a little secret. This is a new track from Physical Grafitti. It has connotations towards the motor car, but the motor car has connotations towards the sexual act, and so this is called Trampled Underfoot, and it's good.

Thank you. Right now we'll change the attmosphere from frantic, frantic in to some calm, cool, peace loving rhythms of our precussionist. Mr. Ultraviolence, John Bonham.

John Bonham Moby Dick. Let's hear it for John Bonham. John Bonham, hearty gardener, hortaculturalist farmer, the man with only two cavities, John Bonham. ah We're trying to cover a spectrum of stuff. We tried to entertain you with different moods, and colors of material, and this is one that came from the initial mood, the birth of the group. What is going on with all these flash lights? Talk about attmosphere, here he is, John Paul Jones.

Jimmy Page guitar.

Good evening. Good evening.

New York. You're too much. Thank you or sticking with us. Thanks a lot. See you later.